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dc.title | Dreams of the Past Gone: Andrew Holleran's Dancer from the Dance Revisited | en |
dc.contributor.author | Trušník, Roman | |
dc.relation.ispartof | Cult Fiction & Cult Film: Multiple Perspectives | |
dc.identifier.isbn | 978-80-244-2126-1 | |
dc.date.issued | 2008 | |
dc.event.location | Olomouc | |
utb.event.state-en | Czech Republic | |
utb.event.state-cs | Česká republika | |
dc.type | bookPart | |
dc.language.iso | en | |
dc.publisher | Univerzita Palackého v Olomouci | |
dc.subject | homosexuality | en |
dc.subject | gay literature | en |
dc.subject | AIDS | en |
dc.subject | camp | en |
dc.subject | cult | en |
dc.subject | Dancer from the Dance | en |
dc.subject | Andrew Holleran | en |
dc.description.abstract | The chapter deals with the reasons why Andrew Holleran's Dancer from the Dance, a novel rather critical of the New York gay community, became a cult novel and how this cult came to an end. Various reasons are identified, including the novel's use of camp or the emergence of AIDS. | en |
utb.faculty | Faculty of Humanities | |
dc.identifier.uri | http://hdl.handle.net/10563/1006118 | |
utb.identifier.rivid | RIV/70883521:28150/08:10017927!RIV12-MSM-28150___ | |
utb.source | c-riv | |
dc.date.accessioned | 2016-04-28T10:37:47Z | |
dc.date.available | 2016-04-28T10:37:47Z | |
dc.description.sponsorship | V | |
dc.format.extent | 258 | |
utb.identifier.utb-sysno | 51509 | |
utb.identifier.nkp | 3753586 | |
utb.contributor.internalauthor | Trušník, Roman | |
riv.obor | AO |