Publikace UTB
Repozitář publikační činnosti UTB

Color models in the process of 3D digitization of an artwork for presentation in a VR environment of an art gallery †

Repozitář DSpace/Manakin

Zobrazit minimální záznam


dc.title Color models in the process of 3D digitization of an artwork for presentation in a VR environment of an art gallery † en
dc.contributor.author Drofová, Irena
dc.contributor.author Adámek, Milan
dc.relation.ispartof Electronics (Switzerland)
dc.identifier.issn 2079-9292 Scopus Sources, Sherpa/RoMEO, JCR
dc.date.issued 2024
utb.relation.volume 13
utb.relation.issue 22
dc.type article
dc.language.iso en
dc.publisher Multidisciplinary Digital Publishing Institute (MDPI)
dc.identifier.doi 10.3390/electronics13224431
dc.relation.uri https://www.mdpi.com/2079-9292/13/22/4431
dc.subject color model en
dc.subject image processing en
dc.subject virtual reality en
dc.subject photogrammetry en
dc.subject 3D model en
dc.subject 3D reconstruction en
dc.subject forensic science en
dc.description.abstract This study deals with the color reproduction of a work of art to digitize it into a 3D realistic model. The experiment aims to digitize a work of art for application in a virtual reality environment concerning faithful color reproduction. Photogrammetry and scanning with a LiDAR sensor are used to compare the methods and work with colors during the reconstruction of the 3D model. An innovative tablet with a camera and LiDAR sensor is used for both methods. At the same time, current findings from the field of color vision and colorimetry are applied to 3D reconstruction. The experiment focuses on working with the RGB and L*a*b* color models and, simultaneously, on the sRGB, CIE XYZ, and Rec.2020(HDR) color spaces for transforming colors into a virtual environment. For this purpose, the color is defined in the Hex Color Value format. This experiment is a starting point for further research on color reproduction in the digital environment. This study represents a partial contribution to the much-discussed area of forgeries of works of art in current trends in forensics and forgery. en
utb.faculty Faculty of Applied Informatics
dc.identifier.uri http://hdl.handle.net/10563/1012278
utb.identifier.scopus 2-s2.0-85210308554
utb.identifier.wok 001364769100001
utb.source j-scopus
dc.date.accessioned 2025-01-30T10:36:19Z
dc.date.available 2025-01-30T10:36:19Z
dc.description.sponsorship Internal Grant Agency of Tomas Bata University, (IGA/CebiaTech/2024/004)
dc.rights Attribution 4.0 International
dc.rights.uri http://creativecommons.org/licenses/by/4.0/
dc.rights.access openAccess
utb.contributor.internalauthor Drofová, Irena
utb.contributor.internalauthor Adámek, Milan
utb.fulltext.sponsorship This research was funded by the Internal Grant Agency of Tomas Bata University, supported under project No. IGA/CebiaTech/2024/004.
utb.wos.affiliation [Drofova, Irena; Adamek, Milan] Tomas Bata Univ Zlin, Fac Appl Informat, Zlin 76005, Czech Republic
utb.scopus.affiliation Faculty of Applied Informatics, Tomas Bata University in Zlín, Zlín, 760 05, Czech Republic
utb.fulltext.projects IGA/CebiaTech/2024/004
Find Full text

Soubory tohoto záznamu

Zobrazit minimální záznam

Attribution 4.0 International Kromě případů, kde je uvedeno jinak, licence tohoto záznamu je Attribution 4.0 International