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The postmodern challenge of historiography in contemporary Canadian fiction: Kate Pullinger's weird sister and the silent voices in history

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dc.title The postmodern challenge of historiography in contemporary Canadian fiction: Kate Pullinger's weird sister and the silent voices in history en
dc.contributor.author Fonfárová, Vladimíra
dc.relation.ispartof American and British Studies Annual
dc.identifier.issn 1803-6058 Scopus Sources, Sherpa/RoMEO, JCR
dc.identifier.issn 2788-2233 Scopus Sources, Sherpa/RoMEO, JCR
dc.date.issued 2022
utb.relation.volume 15
dc.citation.spage 74
dc.citation.epage 88
dc.type article
dc.language.iso en
dc.publisher University of Pardubice
dc.identifier.doi 10.46585/absa.2022.15.2431
dc.relation.uri https://absa.upce.cz/index.php/absa/article/view/2431
dc.relation.uri https://absa.upce.cz/index.php/absa/article/view/2431/2152
dc.subject contemporary Canadian literature en
dc.subject historiographic metafiction en
dc.subject Kate Pullinger en
dc.subject postmodern challenge of historiography en
dc.subject silent voices in history en
dc.subject Weird Sister en
dc.description.abstract As defined by Georg G. Iggers and promoted by Hayden White, the postmodern challenge of historiography calls into question the objective enquiry and truth value of history writing. Many works of fiction have embodied this trend, embracing the challenge by exploring objectivity and the retrievability of the past. In contemporary Canadian literature, such cases are also to be found. The novel Weird Sister (1999) by Kate Pullinger thematizes history and history writing, utilizes Gothic elements, and employs the elements of historiographic metafiction, e.g. as characterized by Linda Hutcheon. The book features characters representing the so‐called silent voices whose testimony had remained lost in the official historical record. This paper aims to show that the depiction of the impossibility of uncovering the truth about the past represents a significant contribution by contemporary fiction authors to the postmodern challenge of historiography, with Pullinger’s novel emerging as a notable contribution to this discourse. © 2022, University of Pardubice. All rights reserved. en
utb.faculty Faculty of Humanities
dc.identifier.uri http://hdl.handle.net/10563/1011358
utb.identifier.obdid 43884156
utb.identifier.scopus 2-s2.0-85145745979
utb.source j-scopus
dc.date.accessioned 2023-02-15T08:06:31Z
dc.date.available 2023-02-15T08:06:31Z
dc.rights Attribution-NonCommercial 4.0 International
dc.rights.uri http://creativecommons.org/licenses/by-nc/4.0/
dc.rights.access openAccess
utb.ou Department of Modern Languages and Literatures
utb.contributor.internalauthor Fonfárová, Vladimíra
utb.fulltext.sponsorship -
utb.scopus.affiliation Department of Modern Languages and Literatures, Tomas Bata University in Zlín, Czech Republic
utb.fulltext.projects -
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