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Objectification of women in Ghanaian films: Is it for pleasure?

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dc.title Objectification of women in Ghanaian films: Is it for pleasure? en
dc.contributor.author Adzovie, Daniel Edem
dc.contributor.author Kudláč, Jakub
dc.contributor.author Štarchoň, Peter
dc.relation.ispartof Journal of African Films and Diaspora Studies
dc.identifier.issn 2516-2705 Scopus Sources, Sherpa/RoMEO, JCR
dc.date.issued 2020
utb.relation.volume 3
utb.relation.issue 1
dc.citation.spage 23
dc.citation.epage 38
dc.type article
dc.language.iso en
dc.publisher Adonis and Abbey Publishers Ltd
dc.identifier.doi 10.31920/2516-2713/2020/3n1a2
dc.relation.uri https://journals.co.za/doi/pdf/10.31920/2516-2713/2020/3n1a2
dc.subject body shape en
dc.subject Ghanaian films en
dc.subject objectification en
dc.subject pleasure en
dc.subject women en
dc.description.abstract Films play vital roles in shaping people's views about issues in society. There have been concerns about how films portray women in films lately. Relying on the objectification theory, the study sheds light on how women are depicted as objects in the Ghanaian films 4PLAY and 4PLAY RELOADED vis-à-vis the interpretation we derive. The authors argue that Ghanaian films contribute to the objectification of women by focusing unnecessarily on women's physical appearance - body shape and weight - thereby fuelling the notion that the primary societal function of women is to satisfy men's physical expectations. We observed that women's bodies are presented as tools for giving pleasure to men. We concluded that women's bodies were objectified in the films analysed. © 2020 Adonis and Abbey Publishers Ltd. All right reserved. en
utb.faculty Faculty of Multimedia Communications
utb.faculty Faculty of Multimedia Communications
dc.identifier.uri http://hdl.handle.net/10563/1010676
utb.identifier.obdid 43881805
utb.identifier.scopus 2-s2.0-85119606186
utb.source j-scopus
dc.date.accessioned 2021-12-02T12:03:16Z
dc.date.available 2021-12-02T12:03:16Z
dc.description.sponsorship Univerzita Tomáše Bati ve Zlíně
utb.ou Audiovisual Arts Department
utb.ou Department of Marketing Communications
utb.contributor.internalauthor Adzovie, Daniel Edem
utb.contributor.internalauthor Kudláč, Jakub
utb.contributor.internalauthor Štarchoň, Peter
utb.fulltext.sponsorship This study was supported by the Faculty of Multimedia Communications of the Tomas Bata University in Zlin, Czech Republic. The authors would like to extend their appreciation to the Dean and all Vice-Deans in the faculty especially, Mrs. Silvie Stanická. Our special thanks also go to Mrs. Eva Prokopová and Mr. Pavel Krutil for their constant assistance.
utb.scopus.affiliation Audiovisual Arts Department, Faculty of Multimedia Communications, Tomas Bata University in Zlin, Czech Republic; Department of Marketing Communications, Faculty of Multimedia Communications, Tomas Bata University in Zlin, Czech Republic
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